Episode 11 - Epic

The modernist painting which was being viewed by the millionaire in the vault in the episode "From Venus With Love" is in the props back stage. Not only that, but both copies of it - with and without the silhouette - turn up in two episodes of The Saint ("A Portrait of Brenda" and "The Power Artist"). The non-silhouette version reappears in an episode of Randall and Hopkirk (Deceased).	©1961-9 CANAL+IMAGE UK	©1961-9 CANAL+IMAGE UK
Zack Smith has informed me that the sign from the first building seen in "The Winged Avenger" (Simon Roberts & Son) can also be seen in the back lot. David Lodge, playing a policeman, falls on it).	©1961-9 CANAL+IMAGE UK	©1961-9 CANAL+IMAGE UK
Furthermore... the somewhat natty exterior backdrop from Never Never Say Die (seen through the doorway when Steed is inside the cottage) is in the background of the scenes where Emma encounters Kirby dressed as a priest and undertaker.	©1961-9 CANAL+IMAGE UK	©1961-9 CANAL+IMAGE UK

The second fight scene doesn't work properly - Kirby swings before Emma can say "ah ah ah!" to Damita.

left: Why doesn't Mrs Peel notice Z.Z. von Schnerk & Damita on the stairs in the saloon scene? (21:17)
right: Mrs Peel discards the gun loaded with blanks just before encountering the policeman, but is suddenly carrying it again as she leads him back to the dead body. (27:51)
How did Emma and Steed obtain new outfits for the tag scene? (47:00)

Peter Wyngarde (Stewart Kirby) had been the brilliantly evil John Cartney in A Touch of Brimstone and went on to be the lead in the two ITC shows Department S (see more trivia here) and Jason King. He played the character of Jason King in both.