![]() ©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved |
A couple of shots are messed up when the Strange Young Man calls at the house. In the first (top), they're much closer together in the first reverse angle than in the shots before and after, with the SYM not stepping forward until just before the second reverse angle. (23:00-23:20) In the second (bottom), Mrs Peel is leaning on the bannister in the close-up, but when we cut back to the long shot she's nowhere near it, she only leans on it as the SYM goes to use the telephone. Steed's military friend who's killed with the poisoned razor blade is billed in the cast list as Major George Fancy, but answers the telephone with the words "Wentworth here". The house is the same as in The Superlative Seven. How does Steed start the gramophone with the 'Mein Liebling' record (which must be upstairs somewhere) when he's lurking behind a playing card in the dining room? |
|---|---|
![]() |
![]() ©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved |
Speaking of that song, Carl Schmidt's "Mein Leibling, Mein Rose", Laurie Johnson recently wrote:
Laurie Johnson composed the tune, Brian Clemens wrote an English lyric and Leo Birnbaum, a viola player in the orchestra, translated it into German [ not too well though, it should have been 'Meine Liebling, Meine Rose' - ed. ]. The title was "Mein Liebling, Mein Rose". For the recording session Mike Sammes of the Mike Sammes Singers fame, took on the persona required for this musical subterfuge. Mike was a much called-upon session musician of the day. |
|
|---|---|---|
![]() |
When Mrs Peel is investigating the roses in her bedroom, she's standing by the bed looking around and you can spot the shadow of a stage hand's arm appear twice, on the wall above the bed. (31:26) |
|---|
![]() ©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved |
Prendergast moves in his chair in the frontal shot, but the close-up of the cutting hands doesn't move position. (44:40) |
|---|