The Significant Props
of Season 5 (1967-8)

of

The Avengers
Page 2


The See-Through Man

ministry files
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The official Ministry file on Major Vazin and his lovely wife Elena, a slender volume to say the least, it seems to only contain their photographs and a cover sheet. Still, it does have an official number, so document retrieval would never be a problem.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

ministry offices
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Now it can be told. The Ministry is the Ministry of Defence, no more, no less. I have always thought that Steed worked for the MoD, and this just might be the proof. the door opened by Wilton clearly states where they are, and Sir Andrew Ford regards Steed as a departmental colleague.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

embassy
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The ugly, imposing walls finished in faux marble, the large wooden doors and the incredibly dim staff. what more could an embassy for an unfriendly power want in an embassy?

garter holster
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Sorry, I couldn't resist this one. Elena takes a leaf out of Cathy Gale's book and keeps her Dillinger safe and warm against her right thigh.
{ image soon }
Vazin's hat
A red herring for Mrs Peel. After her hair-raising encounter with Vazin's Jaguar, he carefully drops his hat out the window, his name inscribed inside the brim. Definite proof that Vazin is here, and invisible, or is it?

Quilbey's lab
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Roy Kinnear's eccentric Professor Quilbey conducts his dangerous experiments in the relative safety of an underground, granite-built basement, which just might not be proof against his exciting nuclear experiments, even if it copes with everything else.

microscope/flat
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Gone is the ugly concrete sculpture - it makes a brief reappearance in the next episode but then is gone for good - probably bought by the National. Pride of place goes to a scientific workbench, complete with gas taps and an impressive microscope, into which Steed slides a message of his own...

invitation to adventure
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

...a slide, in fact, upon which is the call to arms from Steed. Mrs Peel has her revenge however, inscribing her own slide for an invitation to dinner - Steed pays, of course - at the episode's close.

control room
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The hub of the Vazin's devious plot - perhaps just as much to defraud their own government as to bring down the British government. A system of strings and tin cans, controlled by a mammoth analogue computer. Ah, those were the days! Hand me a punch card!

vintage car
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A 1909 Rolls Royce with a chequered history and a mind of its own. Trying to push start it, the Avengers are left floundering in its wake as it heads for the gates.

This car is owned by Lord Montagu and on display at Beaulieu - National Motor Museum. Originally a limousine supplied to Colonel Fergusson of Dundee, it was discovered in the mid-1950s at Berwick-on-Tweed, where it was being used as a breakdown truck. The reproduction bodywork was constructed by Leslie Willis in the style of a Barker Roi des Belges.

The Bird Who Knew Too Much

lookout tower
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Obviously meant as an observation post for fire services officers, it houses the only telephone the ill-fated Agent Danvers could find.
{ image soon }
bird seed
Grade A Best British Seed. Is this a Freudian reference?

morgue
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Another morgue, another cadaver, this one somewhat entertainingly encased in a concrete slab. This morgue is better serviced too - loads of orderly cupboards, scientific apparatus that quite catches the eye of the studious Mrs Peel and a jack hammer.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
{ image soon }
wallet & photograph
Prised from the dead man's over-starched suit, this is the clue that starts the Avengers on their way to solving the case.
{ image soon }
Pearson's flat
Filled with pigeon coops, this garret apartment must have been a bit musty.
{ image soon }
photos of Sam
Steed knock over a pile of papers and discovers a bundle of black and white prints of the pretty blonde Sam.

luncheon boat
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Steed takes a punt on Sam knowing something about Pearson's death and the case at hand, so invites her to lunch in order to grill her on the subject. A pretty location for a midday repast, but not so good for bringing clues to the surface.
Bird Exhibition

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A gallery of exotic birds from around the world, all in one room in London, decorated to resemble the interior of a bird cage. Maybe. To tell you the truth, some of the props lying about the exhibition are very odd, and seem to have nothing to do with birds at all (see below).

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Props for bird show
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A stagecoach? A penny-farthing? Just what do these things have to do with exotic birds? Have the villains and the Avengers stumbled through into a different exhibition next door during the course of their fight? I for one will never know, but if you do find out send an email to parrot_sketch@dissolute.com.au - cheers!
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Captain Crusoe
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The parrot that launched a thousand missiles. Or would have done, had the evil villains managed to fly him out of the country. The Avengers were on hand to prevent their flight, even if Mrs Peel had remarkable difficulty with his name - she calls him Captain Ca-ru-soe throughout.

Mrs Peel's flat
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
That concrete block is lighter than I thought! One minute it's gone - the opening of the episode, the next it's back, Mrs Peel chipping chunks off with a chisel. Then it's gone again, leaving just the scientific bench at the front of the room and the decorative chairs under the windows at the back. Have you noticed that the same set was used for Tom Savage's studio? The windows and curtains are the same, and the bird statue that Steed sinks an arrow in at the beginning of the episode turns up as a prop in the background of the studio (see below).

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Tom Savage's Studio
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A bright, breezy photographic studio, made up of bits of the offices of the Business Efficiency Bureau and Mrs Peel's flat. Those modular walls are pretty distinctive, and were last seen holding bits of the BEB's decor. The windows and curtains are the same as Mrs Peel's apartment, and the bird statue turns up as a prop in the background of the studio (see above). No prize for guessing that the big grey backcloth is hiding a horrible concrete sculpture...

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Photograph of two birds
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A bird in the hand is worth two in the bush, they say. but what's the worth of a pretty bird holding the cage of another bird? A hell of a lot more, if you ask me - especially when draped in a Union Jack and little else. A very patriotic, if informal, moment for Mrs Peel.

Bowled out!
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Verret's impact grenade missed its target, but got his hat. Steed's trusty grey bowler is rendered incomplete by this cold weather... errr, the explosion [ sorry, a "Goodies" reference snuck in there]. Note also that this picture is set outside Tom Savage's studio, you can just see a corner of his sign on the right hand side of the picture. I'll do a decent exterior ASAP.

Jordan's "classroom"
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The eccentric Professor Jordan trains birds to talk, and not just any drivel either - this is public school education for our feathered friends - Homer, Ovid, Cicero and all the major English poets. I don't recall hearing any of them reciting "Casabianca" though...
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

invitation to adventure
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Steed eschews standard forms of communication for a white arrow, with the invitation attached. Not once, but twice! An acute shortage of small change is his excuse, but I'm thinking he's hinting that he doesn't like Mrs Peel's décor.
invitation to dinner
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

villains' hideout
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Stowed away in a huge disused warehouse, Verret and Robin plan their next move, and fix their car. My family used to have one just like it, a great car - except when going up particularly steep hills. No power steering and a steering wheel the size of cart-wheel. Not for the humble novice, I can tell you! This set reminds me of "The Ipcress File", half the film was filmed in or around warehouses. London's disused warehouses must have been buzzing with evildoers in the late Sixties!

vintage car
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Another vintage car with a mind of its own, by the looks of things. This time the 1904 Vauxhall decides to reverse out to the gate rather than use forward gear. Of course, it's obvious that the film's been reversed - the exhaust smoke is a dead giveaway.
The Winged Avenger

comic books
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Strewn about the countryside are clue after clue for the case - surely the creators of this comic book are behind the dastardly attacks on leading industrialists and heartless publishers. To tell you the truth, I think the Avengers should have let him go.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

trash
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Still more clues, we wading knee deep in them in this one!
A page from the comic almost exactly resembling a picture of Dumayn at the murder scene, and Julian's mangled body draped in a torn proof for another comic.

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

costume
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Julian's taken quite a liking to his suit, but that's just a red herring; it's Arnie Packer who's taken it to new heights and is dispatching legally sanctioned villains left right and centre.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

drawings
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A multitude of original drawings were commissioned for this episode, all drawn by Frank Bellamy.
Story boards of murder! Investigating the Winged Avenger Enterprises studio, Steed uncovers a gruesome find. Cartoon depictions of every victim of the winged Avenger so far, as well as a new one - Professor Poole!

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

story boards of reality!
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Near the end of the episode, Steed are rushing to Professor Poole's house to save Emma and Poole from Packer. As they drive, they flip through boards of the unfolding reality, with the vision cutting straight from the boards to the live action. Fantastic concept!

(The picture at the left fits between the last two panels, if you're wondering; and the picture at the left of the section above introduces the concept).


©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

fight boards
In loving homage to the "Batman" television show, these boards are used during the fight scene at the end, Steed clobbering Packer in the face with them. And all the time, an Avengerised version of the Batman theme tune is playing.

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Steed's model
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Steed employs a shoe box in an attempt to work out the physics of how the killer entered a top storey office to murder Simon Roberts and son. His conclusion? He bribed the doorman.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Lexius Cray's house
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Sir Lexius Cray, intrepid mountaineer and adventurer lives in a plush country manor house, part of which he has adapted to resemble a mountainside so he can practice his climbing.

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

newspapers
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The Winged Avenger is making headlines, literally! Tabloids and broadsheets alike were never averse to a juicy murder story, and it's all there in vivid black and white. Note too the story about Dumayn which alerted the Avengers (too late of course) that he'd be the next victim.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Simon Roberts and Son
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The offices of the despicable duo of publishers, like father like son and no error. Prop-spotters will notice that the sign that gets slashed by the Winged Avenger turns up again backstage in "Epic".
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Winged Avenger Enterprises
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A breezy studio with lots of light so that Packer can draw his masterpieces, thronging with lovely dolly birds in various states of undress. Note the very professional looking sign in the hallway.

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Poole's study
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
The eccentric Professor Poole has invented antigravity boots, and consequently has fasten all his furniture to the ceiling and works up there, upside down. Didn't save him from Arnie Packer though.

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved


©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

cuff note
Professor Poole makes a note of the name and address of his mysterious correspondent, and reveals the address of Winged Avenger Enterprises: 163 Bayless Gardens (or Boyley Road? It's a bit indistinct...)

invitation to adventure
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Mrs Peel's painting is interrupted when Steed prematurely signs her picture for her - they're needed again to solve another baffling case.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Steed's drawing
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
Steed draws a three course meal and wine to accompany it, then brings the real thing out from hiding. then he serves it with a ping! of tureen lids.

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

Steed's flat
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
A better look at some parts of Steed's flat, which remains unchanged for the rest of 1968 & 1969.
©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved

SendIt DVD search
Previous Next
1 2 3 4 5 6 7 8