Posted: Wed Dec 30, 2020 8:27 pm
I gave this one my annual festive rewatch - though it hardly feels like any time since I last watched it [shakes fist at 2020].
I'll always enjoy it but... I don't know... this time I found I had issues with the plotting. Woodhouse wanted to write about a deadly virus but the way that Steed and Cathy connect with the story feels rather desperate - there's some massive logic leaps. The burglary being on the front page of a newspaper when Dr. Ashe makes it clear that it's a non-story. By making the creator of the virus so isolated and small scale, it requires a massive suspension of disbelief to see Steed and Cathy discovering things. And the ending is rather confusing. The eggs are fakes but Redfern reacts like they aren't - does Cathy knock him out..? Does he faint..? I like the quick cutting of the final act but it does lose the thread a bit.
I don't know. I don't think I was properly in the mood this year. I'll always love it mostly for Peter Hammond's direction and the general atmosphere.
I'll always enjoy it but... I don't know... this time I found I had issues with the plotting. Woodhouse wanted to write about a deadly virus but the way that Steed and Cathy connect with the story feels rather desperate - there's some massive logic leaps. The burglary being on the front page of a newspaper when Dr. Ashe makes it clear that it's a non-story. By making the creator of the virus so isolated and small scale, it requires a massive suspension of disbelief to see Steed and Cathy discovering things. And the ending is rather confusing. The eggs are fakes but Redfern reacts like they aren't - does Cathy knock him out..? Does he faint..? I like the quick cutting of the final act but it does lose the thread a bit.
I don't know. I don't think I was properly in the mood this year. I'll always love it mostly for Peter Hammond's direction and the general atmosphere.