ricardomartins wrote:Darren wrote:When we see the location film inserts on the videotape shows, what we're seeing is a film recording of the original footage. The videotape shows were recorded onto film for keeping (a process called Telerecording - pointing a film camera at a specially built TV screen and recording the output).
I don't understand the technical terms but when film is recording film they have to be properly aligned or you get a smearing effect.
The film work was done very quickly so they didn't always have the time to light them properly especially the night shoots.
The film location filming for Esprit De Corps does have sound but before that the soundtrack would be very basic as it was cheaper to just play sound effects over the footage.
Hopefully one day we'll see some properly restored recordings of the videotape years up to the standard shown for Girl on a Trapeze which looks wonderful. Restoration will certainly help to make the location film a bit clearer.
So the exteriors were filmed in reel isn't it? And the interiors in videotape isn't it?
And the recordings we watch of "The Avengers" on DVD's nowadays were filmed by a film camera pointed to a special TV screen isn't it? And that camera filming another screen is what makes the exteriors look like silent movies isn't it?
I don't think the the fast image happens because of the lack of time for filming exteriors. Because even in classical movies from the big american studios we see accelerated images of the exteriors (I remember seeing it in a gangster movie on TCM not very long ago). Is that due to being a copy from a film copy?
It was standard practice in the UK for a long time that series would shoot on video in the studio and on film for location. By the 80's it became either all video or all film for most series. The reason for film on location was because there were no portable video cameras.
The original videotapes that the series was original recorded onto would be wiped not long after broadcast and reused for other shows.
It was easier to store the episodes on film (via the telerecording process) as film allowed the episodes to be sold abroad (video not always being compatible in different countries).
I think we're fairly certain that
The Removal Men sequences were shot on video cameras - being in the actual studio premises meant that the camera cables could stretch.