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My pleasure. Thank you for the delight of your essay! I think it's a terrific piece of writing and I've been using it as a selling point to try to attract other people into getting the book.denisrigg wrote:The very good review of the book from Andrew. And nice to hear good words from Alan and Andrew for my essay.
I'm sure you're going to find the book absolutely fascinating ... and it's good to have this history of fandom recorded in a non-electronic form. Fora such as this can be so ephemeral ... and whole chunks of history can just vanish (unlike the old hard-copy fanzines).When I first learned that Alan planned to create "Avengerworld", book which will include the memories of fans from around the world, I thought, that despite the fact that there will be subconsciously to arise the question "How many the book will be actually of great value for people who did not participate in the project?" it's a good point for the history of fandom - history of the first generation of fans of the series and those who have started to get acquainted with the series later. The idea to create a diary, which I sure will acquire more value with the passage of time, was the factor that I decided to participate for the first time as a serious writer in the production for the general public. I never considered myself a good writer in all directions at all, but the theme of "TV series in Russia" was one of those that I felt I must to reveal for those interested in the history of the Avengers in the countries where it seemed a little or not fans of the series. For many years I dreamed to study, at the least, part of the series history in Africa, Asia and parts of Europe (Finland, Sweden, Poland, Czechoslovakia ...), etc. and all this led that I decided to write the memoirs in style, how would it looked if I read the author's material from other little-study country in Avengers area. I have seen a sense such material not only as a history of the Avengers, but the development of television production in the country to better understand what was period of time when functioned the series and a group of fans in.
Thus, the first problem of this material was that I could not put such content into a small volume - I consulted with Alan and it was decided that I write material, and in the end there will editing.
In the process, there was a wonderful thing, I discovered the old TV schedules and using them found out that some of the information about foreign products in USSR on the internet and the old printed materials is incorrect. That said, it was important to investigate this topic thoroughly and to post for the first time the correct list of TV products, which was done.
Then, the material about the development of the series and foreign Movie and TV production in Russia began to get so many long that I realized that all of this can to result in a whole book and began to squeeze the narrative maximally. As a result, I was dissatisfied with my work, but Alan conducted the editing in so way that when I read it, I was happy that it was comfortably for learn, and the main thing - the value of information and the meaning has been preserved intact.
I read some of the other essays by Russian authors that are presented in the book, and I must say I got new knowledge. Yes, I'm sure any author in this book will enrich a reader with new knowledge.
For instance, Tatiana Bakova (April Kane), the creator of single Russian the Avengers group (in social network VK), wrote not only about the acquaintance with series and the establishment of the group, but the memories of the unique TV brodcasting of the series in Hungary in 1968, some of the details about a single movie screening the series in Moscow (in a famous cinema club) etc. That is, if I have learned the new material in the essays by Russian writers (which they did not previously told elsewhere), then how many things I'll be able to learn from the essays by writers outside of native country?
I look forward to when the book falls into my hands, to delve into the memories of others.
For me - for whom "The Avengers" is just one of many fascinating shows to study - having you put its Russian broadcasts in context with other imported shows was quite, quite fascinating. For example, you refer to "Chimpmates" which was actually a cinema film series in the dying days of Saturday Morning Cinema Clubs in the 1970s and - to the best of my knowledge - never got a UK TV broadcast (although I think it syndicated in the US).
And although the UK-based chapters for me may be covering more familiar ground, they're fun reads and I'm sure you'll get the same kick out of reading them and learning about the different perspectives as I am from discovering more about how Steed and his chums fought diabolical masterminds around the world!
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Temporarily diverted by a PhD thesis on British children's television, but hoping to get back to the remainder of this volume very soon.
And thanks again Denis, that was a really, really superb essay!
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All the best
Andrew