Series 2 — Episode 20
School For Traitors
Teleplay by James Mitchell
Directed by Jonathan Alwyn
Production No 3519, VTR/ABC/2322
Production completed: February 9 1963. First transmission: February 9 1963.
Production details
Episode 46
Production Number : 3519
VTR/ABC/2322
Teddington Studio 2
Schedule
Friday 8th February 1963
Camera rehearsal | 09.00–12.30 |
Lunch break | 12.30–13.30 |
Camera rehearsal | 13.30–18.00 |
Supper break | 18.00–19.00 |
Camera rehearsal | 19.00–21.00 |
Saturday 9th February 1963
Camera rehearsal | 10.00–12.30 |
Lunch break | 12.30–13.30 |
Camera rehearsal | 13.30–15.30 |
Tea break, Line-up, Normal scan, Make-up |
15.30–16.15 |
Dress rehearsal | 16.15–17.30 |
Notes | 17.30–18.00 |
Line-up | 18.00–18.30 |
VTR | 18.30–19.30 |
Equipment
Cameras: | 4 Pedestals, prism lens (Cam.3) |
---|---|
Sound: | 3 booms, stick mic. + stand for Julie, 2 pract. telephones (Venus’s Hotel Room/Pub Bar), slung mic. (Quad), baby eckerette, echo, deaf aid for Kenny Powell, trio in vision (piano, bass drums), guitarist (actor) in vision and on the move. |
Telecine: | ABC symbol, 1 slid, caption scanner. |
Running time
Expected: 51′25″ + 2 commercial breaks 2.05
Actual running time with bumpers: 51′47″
The bumpers between the acts are generally 10 seconds from fade in to the “End of Act” bumper to the end of audio before the commercial, a 10 second still without audio, then cut to the next act bumper. This would play with the theme for around 10 seconds. Accordingly, with the episodes being in 3 acts, the running time of the action is approximately a minute less than listed above, minus the opening and closing credits (normally 0′16″, with a 2" fade, and anywhere from 0′41″ to 1′20″, hard cut or 1" fade or mix, respectively).
Regional broadcasts
Broadcaster | Date | Time |
---|---|---|
ATV London | 10/02/1963 | 10.35pm |
ABC Midlands | 9/02/1963 | 10.05pm |
ABC North | 9/02/1963 | 10.05pm |
Anglia Television | 9/02/1963 | 10.05pm |
Border Television | - | - |
Channel Television | 9/02/1963 | 10.35pm |
Grampian Television | 10/02/1963 | 10.35pm |
Southern Television | 9/02/1963 | 10.05pm |
Scottish Television | - | - |
Tyne Tees Television | 9/02/1963 | 10.05pm |
Ulster Television | 10/02/1963 | 10.35pm |
Westward Television | 10/02/1963 | 10.35pm |
Television Wales & West | 10/02/1963 | 10.35pm |
Teledu Cymru (WWN) | 8/02/1963 | 10.45pm |
International broadcasts
Broadcaster | Date | Time |
---|---|---|
ABN2 Sydney | 27/01/1964 | 7.30pm |
ABQ2 Brisbane | 18/05/1964 | 7.30pm |
ABV2 Melbourne | 24/09/1964 | 7.30pm |
ABS2 Adelaide | 30/10/1964 | 8.30pm |
RAI2 Italy | 17/12/1965 | 10.20pm |
This episode was broadcast in Italy on 17th December 1965 (10.20pm, RAI 2) under the title of “Scuola di spie”. It was one of a limited run of ten episodes from series 2 and 3 that were broadcast on RAI intermittently throughout 1965 and 1966 under the title “Agente speciale”.
TV Times listing







10.35 The Avengers
starring
Patrick Macnee
in
School for Traitors
Teleplay by James Mitchell
Also starring
Julie Stevens
Cast
East | John Standing |
Venus Smith | Julie Stevens |
Claire Summers | Melissa Stribling |
Robert | Richard Thorp |
Higby | Reginald Marsh |
John Steed | Patrick Macnee |
One-Seven | Frederick Farley |
Dr. Shanklin | Anthony Nicholls |
Professor Aubyn | Frank Shelley |
Green | Terence Woodfield |
Proctor | Ronald Mayer |
Barmaid | Janet Butlin |
The Avengers theme composed and
played by Johnny Dankworth
Settings by Maurice Pelling
Directed by Jonathan Alwyn
Producer John Bryce
Steed and Venus go to a university and find there are degrees of treachery
ABC Television Network Production
Episode availability
- Video — original footage held by Studio Canal, available on the Studio Canal series 1&2 DVD set
- Script — Tony Pelly’s copy of the camera script and scene breakdown
- Publicity Stills — at least 15
Murders
Victim | Killer | Method |
---|---|---|
Davis | Higby? | revolver |
Green | Higby | pushed off roof |
Roberts | Higby | overdose of barbiturates |

Transport
Marque/type | Plate |
---|---|
none |
Continuity and trivia
- 8:06 — a thread get caught in the transfer plate and stays at the bottom of the screen until 9:48.
- 8:22 and 47:23 — severe visual distortion
- we see the occassional shadow of the boom microphone throughout the episode, especially in the scenes in the pub, Venus’ room, and Shanklin’s office.
- 10:47 — Claire tell Roberts that Lynch made out a cheque to £220 but wrote “two hundred and twenty guineas” so no bank would accept it.
She fluffed her line, because 200 guineas is £210 — whereas 220 guineas is, of course, £231 : £220 s.220 = £231.
The original script confirms this, the line is “two hundred guineas”.
- Later on (40:24 /39:00) she gets it right and tells East the cheque is for 200 guineas, which is £210, not £220 as written on the cheque (£200 s.200 d.- = £210).
- Claire spends most of the episode working on a painting that is clearly tipped up on its side without seeming to notice.
- Is it just me, or is Claire seriously mutton dressed as lamb?
- Claire orders Venus to leave the letter from Davis behind the noticeboard at the foot of staircase no. 2 of St. Luke’s college at 11pm.
- 23:50 — Melissa stumbles over another line: “She’s got to be sho-taught a lesson”.
- Claire’s face cream contained trichloroacetic acid.
- 28:56 (28:18) — Julie stumbles over her lines and introduces Steed to Roberts with the words:
"This is a friend of mine, John Steed.
[looks at Roberts] John Steed, Jack —
[looks at Steed] John Steed, this is Jack Roberts."
The other actors are grinning their heads off and Macnee wickedly says, “Jack Steed this is Jack? Anyway, marvellous.” Richard Thorp replies “How do you do? and Macnee adds, “Call me Bert, thank you. how do you do?” — which makes Julie Smith grin like mad. - 37:40 — The police tells Shanklin that Roberts died of an overdose of phenobarbital.
- 46:18 — Just before Higby appears in the hall outside Claire’s door, something or someone scoots past at high speed at the bottom of the screen.
The Songs
Venus sings several songs with the Kenny Powell trio.
- The end of “The Varsity Drag” [0:13, 0:19 long]
- the calypso standard “Yellow Bird” accompanied by John Standing [26:33, 0:39 long (26:00, 0:36 long)] (25:48 — John Standing starts strumming guitar) until she is interrupted by Roberts, Ted (Standing) continues to whistle and play the guitar (to 27:26/26:53) until stopped by the Proctor.
- Venus later sings “Put on a Happy Face” [31:51 (31:15), 1:00 long] with the trio.
- The trio also performs:
- a snippet of “Tea for Two Cha Cha” (from No, No, Nanette) [32:52 (32:16), 0:50 long]
- and a short snippet of a Powell composition called “Boogie Twist” behind the conversation between Venus and Ted at the beginning.
Kenny Powell was a mainstream Jazz pianist who worked with the Jack Parnell Orchestra at Ronnie Scott’s in London.
He was a member of the resident rhythm section at The Hopbine — a pub in Wembley run by the tenorist Tommy Whittle and vocalist Barbara Jay through the 1960s — alongside drummer Dick Brennan and the virtuoso bassist Ron Matthewson. Tubby Hayes used the Hopbine trio when recording an album in 1966. Powell emigrated to Australia in 1972 and was later musical director for Kamahl and arranger for Bob Barnard. He replaced Dave Lee and appeared alongside Dave’s rhythm section of Art Morgan and Spike Heatley in this episode after Dave left ‘The Avengers’ to do other work; Spike and Art followed Dave, and Kenny is supported by Lew Grade’s in-house ATV orchestra leader, Jack Parnell, and his regular bassist, Lennie Bush — with whom he played at Ronnie Scott’s — for Man in the Mirror and A Chorus of Frogs. It should be noted that Spike had no recollection of being in this episode when I spoke to him 55 years after it was recorded but he may simply have forgotten — however some misguided people think it’s not him.
Lyrics in green italic are inaudible.
Lyrics in red italic have been adapted or ad libbed.
Buddy De Sylva, Lew Brown
/ Ray Henderson, 1927
We’ve always thought
Knowledge is naught,
We should be taught to dance,
Right here at Tate
we’re up to date,
We teach a great new dance,
don’t think that I brag,
I speak of the drag.
Why should a sheikh
learn how to speak
Latin and Greek badly?
Give him a neat
Motto complete
Say it with feet gladly!
First lesson right now,
You’ll love it and how you’ll love it:
Here is the drag, see how it goes,
Down on the heels, up on the toes,
That’s the way to do the Varsity Drag,
Do-dee-odle-oh-do!
Hotter than hot, newer than new,
Meaner than mean, bluer than blue,
Gets as much applause as waving the flag!
You can pass many a class,
Whether you’re dumb or wise,
If you’ll all answer the call
when your professor cries:
"Everybody down on the heels, up on the toes,
Stay after school and learn how it goes,
Everybody do the varsity drag!
From the musical “Good News”
Alan Bergman, Marilyn Keith Bergman
/ Norman Luboff, 1957
Yellow bird, way up in banana tree.
Yellow bird, you sit all alone like me.
Did your lady friend leave the nest again?
That is very sad, makes me feel so bad.
You must fly away, in the sky away.
You’re more lucky than me.
I also had a pretty girl, she’s not with me today.
They’re all the same those pretty girls.
Take tenderness, then they fly away.
Yellow Bird, yellow bird.
Did your lady friend leave the nest again?
That is very sad, makes me feel so bad.
You must fly away, in the sky away.
You’re more lucky than me.
Wish that I were a yellow bird, I’d fly away with you.
But I am not a yellow bird, So here I sit.
Nothing I can do.
Yellow bird, yellow bird.
Lee Adams & Charles Strouse, 1960
adapted Kenny Powell/Julie Stevens, 1962
Gray skies are gonna clear up,
Put on a happy face;
Brush off the clouds and cheer up,
Put on a happy face.
Take off the gloomy mask of tragedy,
It’s not your style;
You’ll look so good that you’ll be glad
Ya’ decided to smile!
Pick out a pleasant outlook,
Stick out that noble chin;
Wipe off that “full of doubt” look,
Slap on a happy grin!
And spread sunshine all over the place,
Just put on a happy, happy, HAPPY!, Put on a happy face!
Put on a happy face
Put on a happy face
And if you’re feeling cross and bitterish
Don’t sit and whine
Think of banana split and licorice
And you’ll feel fine
I knew a girl so glooming
She’d never laugh or sing
She wouldn’t listen to me
Now she’s a mean old thing
So spread sunshine all over the place
Just put on a happy face
So, put on a happy face
From the musical ‘Bye, Bye Birdie’