Series 6 — Episode 4
Split!

Regional broadcasts

Broadcaster	Date	Time
Thames Television	23/10/1968	8.00pm
ATV Midlands	24/10/1968	7.00pm
Granada Television	9/02/1969	8.25pm
Anglia Television	24/10/1968	7.00pm
Border Television	3/11/1968	8.10pm
Channel Television	24/10/1968	7.00pm
Grampian Television	23/10/1968	8.00pm
Southern Television	1/01/1969	8.00pm
Scottish Television	30/01/1969	8.00pm
Tyne Tees Television	23/10/1968	8.00pm
Ulster Television	31/10/1968	7.00pm
Westward Television	24/10/1968	7.00pm
Harlech Television	24/10/1968	7.00pm
Yorkshire Television	23/10/1968	8.00pm

TV Times listing

International broadcasts

Broadcaster	Date	Time
ABN2 Sydney, Australia	13/12/1968	8.00pm
ABQ2 Brisbane, Australia	17/01/1969	8.00pm
ABV2 Melbourne, Australia	3/12/1968	8.30pm
ABS2 Adelaide, Australia	19/12/1968	8.00pm
ABC New York, USA	10/04/1968	7.30pm
ORTF2 France	18/4/88 A2
Suisse Romande, Switzerland	26/08/1969	8.25pm
French title	Double personnalité
ZDF Germany
German title	Geist sucht Körper
KRO Netherlands	7/04/1970	9.10pm
Dutch title	Gespleten persoonlijkheid
TTI Italy	11/12/1980 C51
Italian title	Doppio gioco?
Spain	13/10/1969	11.00pm
Spanish title	Doble personalidad

This episode was not broadcast in Germany and would not screen there until 1999. Italy also didn’t see it until 1980 and France not until 1988, except for viewers near the Swiss border.

Continuity & Trivia

1. 1:14 — There’s a hair on the right of screen, halfway up.
2. 2:54 — Mercer’s codename is Sphinx.
3. 2:55–4:20 — Mercer’s report reads (italics mark where Kartovski’s writing takes over):
   

   REPORT FROM AGENT
   MERCER ("SPHINX")

   (unreadable paragraph) .... under surveillance from .... 18.12.68 by agents R. Riety ... contacting Secret Agent Kastin ... — (codes “There” & “Quick”) ... — (cover, look at Kastin’s transferring).

   Frequent meetings with Kastin in Kensington Gdns & Lyons Tea Shop, Marble Arch. Possible that classified & “D” material passed to Kastin. Envelope given to Kastin on two occasions. 10.11.67 Lyons Tea Shop & 29.11.67 in Selfridges near Father Christmas.

   Any conclusion in these activities is that Gerlan is working for the C.I.A.; Soviets Grt Brtiain & US I say not that our her.. P

4. 4:15 — Split! is one of those rare episodes with more than one title screen:
   
5. 4:51 (4:42) — Tara’s car rounds the corner with only a driver in it, but in the close-up seconds later Barnes is next to her.
6. 4:53–5:21 — Tara & Barnes : colour-shift during the back projection scene, and a curled hair is stuck against the middle right edge of screen.
7. 5:21–5:58 — Lord Barnes & Tara both have red card security passes.
8. 5:42 — We get a glimpse of the boom microphone hanging down in the hallway that opens out to the left.
9. 8:28–8:56 — There’s a black object at the top left of the screen — must be on the camera or transfer plate, as it remains in the same place as the vision shifts
10. 11:46 onwards — There’s a hair stuck to the very top edge of camera 1 which keeps on appearing, especially noticeable in the midshots and close-ups of Maurice Good as he talks to Rook and then telephones the hospital — it reappears with every cut back to Maurice until 13:45.
11. 11:48 — Mercers’ file is labelled “Ministry of Defence — RY-593 Demonstration”
12. throughout — The decorations on the wall of Dr. Constantine’s operating theatre reappear in Dr. Jaeger’s consulting room in My Wildest Dream and at the Carmadoc Research Establishment in All Done with Mirrors.
13. 15:19–15:22 — There’s a hair mid right again, curled up, not down — must be on the transfer plate as it stays on screen across a cut.
14. 20:35 — Steed has a phone in his car.
15. 21:13 — More colour shift for Steed’s back-projection scene.
16. 22:46, 29:05 and throughout — The set for Barnes’ study and hallway were used as the ante-chamber and hall outside Mother’s office in The Forget-Me-Knot.
17. 23:10 — Roy Ward Baker evokes “Dial M for Murder” in Barnes’ attack on Steed.
18. 26:30 — Barnes’ note (italics mark where Kartovski’s writing takes over):
    

    Subject Myself
    I am alarmed to check a change in my behaviour

19. 29:12 — Colour shift again for Lord Barnes’ driving scene
20. 29:40 and throughout — Nullington Hospital is actually one of the buildings of Haberdasher’s Aske’s School, you can see one of the plaques outside the doors clearly enough to read it. Same location used in Never, Never Say Die??
21. 30:31 — Yet more colour shift, this time for Tara & Rook.
22. 31:19 — There’s something caught against the top left corner of the transfer plate, it moves about a bit and finally disappears at 32:05.
23. 34:16 — They’ve dubbed in the word “brain” after the words “to infuse his thought, his ideas into another man’s / ”
24. 35:38 — Tara is playing the piano.
25. 35:58 — Still more colour-shifted back projection for Tara.
26. 36:30 — Tara is captured and chloroformed by Hinnell and Morrell.
27. 36:52 — Tara is tied to the gurney with... thin surgical gauze! — but it comes in handy at 41:25 when Steed cuts her free with a scalpel.
28. 38:51 — Colour shift again in the back-projection as Steed drives to the hospital.
29. 39:37 — There are cracks in the windshield of the Bentley.
30. 43:18 onwards — The stuntman playing Hinnel doesn’t look a bit like John G. Heller.
31. 40:24 — Something slides over the top right corner of the tranfer plate, then back again, but the hairline of its edge remains on screen until 42:24 and returns at 42:53–56 (maybe on camera, as it’s not in the close-ups of the files), and again from 43:10 to 43:43.
32. 42:24–42:52 — There’s a thin hair stuck to the top edge of the screen for the whole of the scene in the hospital reception area.
33. 43:53 — Hinnel whips around to face Steed after he shoots Dr. Constantine, but in the next shot he’s facing the doctor again as Steed gets to his feet and attacks him from behind.
34. 46:58 — Steed’s front door doesn’t shut properly.
35. 47:16 — Tara’s improbable cocktail request is for: a tall crystal glass full of crushed ice, permeated with grenadine, laced with a mixture of Cantonese Sake and Crème de violettes, topped with a measure of Calvados, a tablespoon of devonshire cream and a fresh, unripe strawberry.
36. 48:00 — The “I was changing” joke with Steed in the tag scene doesn’t make sense as he had already demonstrated imperviousness to the trigger word “Boris”.
37. Running time: 49′08″

The Transport

Marque	Colour	Number
AC 428 Frua Drophead Convertible Coupé 1965 Prototype (CF1)	maroon	LPH 800D
Hughes 300 helicopter	buff	G-AVZC
Bentley 3 Litre 1926	british racing green	YT 3942
Aston Martin DBS Vantage (chassis DBS/5001/R) 1967	maroon	YKX 2F
Triumph TR4A IRS	powder blue	NHL 1
Austin Wandsworth/LDO Ambulance	white	YLD 259

Who’s Killing Whom?

Victim	Killer	Method
Frank Compton	Harry Mercer	pistol
Harry Mercer	Lord Barnes	pistol
Dr. Constantine	Hinnell	pistol
Boris Kartovski	Hinnell & John Steed	life support system destroyed

The Fashions

Tara red double-breasted overcoat, tan calf boots, tan gloves, tan and cream scarf chocolate sleeveless minidress maroon miniskirt suit, woollen with vinyl across the yoka and on the elbows, single-breasted; white gloves and handbag goldenrod miniskirt suit with orange and red scarf, cream knit shirt, 3/4 length sleeves, and tan shoes white and pink evening gown with headscarf, diamante shoes

Steed light grey three-piece suit with cream shirt and bronze tie grey three-piece suit, 2 vents, with white shirt and royal blue tie; later with a black pinstriped overcoat and grey bowler and umbrella hideous green brown and cream paisley shirt with houndstooth trousers and a brown and green twill blazer